KCACTF Region 5 Festival 57

This workshop will introduce students and faculty to the burgoning field of mental health coordination in theatre and film. Attendees will learn how to cultivate rehearsal and performance practices that establish and respect individual boundaries and allow actors to do challenging work without causing mental or emotional harm to themselves. Other topics will include ways to self advocate, character de-rolling, and exercises for regulating the body in the rehearsal space.

Program Representative and Teaching Artist, Rachel Kelsey, draws upon her personal and professional experience to bring you this workshop on building a theatrical resume. In this session, we will take a look at common resume layouts of industry professionals, examine what should be included on a resume, and craft our own. If time allows, we will deep-dive into headshots and websites as well. The intention of this session is to assist performers in creating tools to help them have successful careers and auditions. Here we will work on crafting strong, professional, and unique resumes. The session is taught from the lens and personal experience of Rachel Kelsey as she has attended professional auditions with individuals such as Alison Franck (Casting Director), Jeff Whiting (NYC Director/Choreographer), Kristian Charbonier (Casting Director), Sue Frost (Broadway Producer), etc. Things we will cover include:
- What to include within a theatrical resume (Physical Details, Contact Information, Experience (Stage, Film/Television, etc.), Education/Training, Awards/Honors, and Special Skills) as well as common formatting.
Organization of theatrical credits.
- Headshots - specifically how the individual would like to represent and market themself.
- What should be included within a performer, director, playwright and/or multi-hyphenate website.

This panel discussion focuses on ways to develop and communicate production concepts and visualize early ideas from the standpoint of both directors and designers. We will offer insights into our personal processes with perspectives from a director, a scenic designer, and a lighting designer. Additionally, we will take a look at common challenges that occur in this process and how to overcome them.

New to Region 5 or need a refresher on responding. Join the Region 5 leadership to learn best practices of responding. You will learn how to respond to regional productions and get to see some amazing student work!

Join the (1) Actor and the Producer/Director to find out more about developing a 1-woman, 10-character World Premiere (and special Festival Performance) of THE GULL; A TRAGICOMEDY FOR ONE, AFTER CHEKHOV, by Zachary Cohn. We will talk about the process for choosing the piece and dig into some of the challenges and rewards we found in the development journey and in facing the daunting task of producing a deconstruction of one of the most popular plays of the last 2 centuries--Anton Chekhov's THE SEAGULL. If you have seen the show (Thursday matinee at festival), or even if you're just curious about how a small professional theatre company functions in these times, please bring your questions and we'll have a lively discussion!

This workshop will introduce students and faculty to the burgoning field of mental health coordination in theatre and film. Attendees will learn how to cultivate rehearsal and performance practices that establish and respect individual boundaries and allow actors to do challenging work without causing mental or emotional harm to themselves. Other topics will include ways to self advocate, character de-rolling, and exercises for regulating the body in the rehearsal space.

While university education often centers around how to do various jobs in producing theatre, this class will take a look through some of the industry that supports production.  For every actor on stage there are 10 people supporting them on the production.  For all of those, there are hundreds in different industries supporting them.  Lets take a look at what is out there.

Join us for a groundbreaking panel discussion that examines the intersection of artificial intelligence and theatre. This comprehensive workshop brings together theatre practitioners, technologists, accessibility advocates, and audiences to explore how AI is reshaping the landscape of theatrical creation and experience.

This is an open discussion or form about how people balance their work/life situations and help others who struggle with that burnout. This is an open discussion, so it is lead by the people in attendance.

This is an in-depth workshop on the importance of prep week for the stage Management team and how it keeps our artists safe. How can you as a developing stage manager be the best prepared to start your production with safety as the priority? This workshop will give you tangible paperwork, layout expectations and help you and your stage management team to be prepared for your upcoming production.

There is a difference between knowing how to do a job and know how to get hired to do it!  Lets sit down and talk about working professionally.  I'll share insight from my time as a Master Electrician in regional theatre, Freelance Designer, Sales Associate with a Dealership and with ETC, a major manufacturer of lighting equipment.