KCACTF Region 5 Festival 57

This workshop will introduce students and faculty to the burgoning field of mental health coordination in theatre and film. Attendees will learn how to cultivate rehearsal and performance practices that establish and respect individual boundaries and allow actors to do challenging work without causing mental or emotional harm to themselves. Other topics will include ways to self advocate, character de-rolling, and exercises for regulating the body in the rehearsal space.

Program Representative and Teaching Artist, Rachel Kelsey, draws upon her personal and professional experience to bring you this workshop on building a theatrical resume. In this session, we will take a look at common resume layouts of industry professionals, examine what should be included on a resume, and craft our own. If time allows, we will deep-dive into headshots and websites as well. The intention of this session is to assist performers in creating tools to help them have successful careers and auditions. Here we will work on crafting strong, professional, and unique resumes. The session is taught from the lens and personal experience of Rachel Kelsey as she has attended professional auditions with individuals such as Alison Franck (Casting Director), Jeff Whiting (NYC Director/Choreographer), Kristian Charbonier (Casting Director), Sue Frost (Broadway Producer), etc. Things we will cover include:
- What to include within a theatrical resume (Physical Details, Contact Information, Experience (Stage, Film/Television, etc.), Education/Training, Awards/Honors, and Special Skills) as well as common formatting.
Organization of theatrical credits.
- Headshots - specifically how the individual would like to represent and market themself.
- What should be included within a performer, director, playwright and/or multi-hyphenate website.

Using Movement, Physical Repition, and Repitition, Demistify and Activate Your Grasp of Hieghtened Text

Join the National Alliance of Acting Teachers in a discussion about the challenges and strategies for training actors in today’s world. Learn about our programming and resources designed to support, inspire and connect you with a community of acting teachers across the country.

This panel discussion focuses on ways to develop and communicate production concepts and visualize early ideas from the standpoint of both directors and designers. We will offer insights into our personal processes with perspectives from a director, a scenic designer, and a lighting designer. Additionally, we will take a look at common challenges that occur in this process and how to overcome them.

Join the (1) Actor and the Producer/Director to find out more about developing a 1-woman, 10-character World Premiere (and special Festival Performance) of THE GULL; A TRAGICOMEDY FOR ONE, AFTER CHEKHOV, by Zachary Cohn. We will talk about the process for choosing the piece and dig into some of the challenges and rewards we found in the development journey and in facing the daunting task of producing a deconstruction of one of the most popular plays of the last 2 centuries--Anton Chekhov's THE SEAGULL. If you have seen the show (Thursday matinee at festival), or even if you're just curious about how a small professional theatre company functions in these times, please bring your questions and we'll have a lively discussion!

This workshop will introduce students and faculty to the burgoning field of mental health coordination in theatre and film. Attendees will learn how to cultivate rehearsal and performance practices that establish and respect individual boundaries and allow actors to do challenging work without causing mental or emotional harm to themselves. Other topics will include ways to self advocate, character de-rolling, and exercises for regulating the body in the rehearsal space.

How can you grow your sense of presence, purpose, and connection in your audition technique? What stories are your face, voice, and body telling that can support and enhance your overall performance and castability? This session is geared to heighten self-awareness and lower anxiety around the audition process, offering tools for non-verbal self-expression, grounding, and connection.

Join us for a groundbreaking panel discussion that examines the intersection of artificial intelligence and theatre. This comprehensive workshop brings together theatre practitioners, technologists, accessibility advocates, and audiences to explore how AI is reshaping the landscape of theatrical creation and experience.

During this workshop students will explore the differences between solo performance and larger mainstage productions. In addition students will receive a brief introduction to Performance Studies and will be given prompts towards creating a new solo performance. Please bring a willingness to share and collaborate.